BENEDIKT LEONHARDT GERMANY, 1984
The materiality and radiance of color fields become central, while the painterly process remains deliberately enigmatic.
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Benedikt LeonhardtUntitled (FT-NYR-CR-CCB-VD), 202547,2 x 35,2 cm -
Benedikt LeonhardtUntitled (CBL-QM-TC), 2024140 x 100 cm -
Benedikt LeonhardtUntitled (CBL-QM-TC-NG5), 2024180 x 124 cm -
Benedikt LeonhardtUntitled (BG1-LRX-CO-MCB), 202355,7 x 44,8 cm -
Benedikt LeonhardtUntitled (CYD-CB-BO/CO-QV), 2023200 x 150 cm -
Benedikt LeonhardtUntitled (FT-CBL-NYL-TO), 2023221 x 152 cm -
Benedikt LeonhardtUntitled (TRV-TO-CLG), 2023180 x 133 cm -
Benedikt LeonhardtUntitled (TW/ZW-Y-QM-B-3), 202264,7 x 46,8 cm -
Benedikt LeonhardtUntitled (BO-CR-ACH-BV), 2021200 x 158 cm
“In my painting I’m working with figurative stimuli being overlaid by complex constructions of lines, translucent colors and surface material.
Benedikt Leonhardt builds his paintings from figurative impulses that are gradually overlaid with intricate layers of lines, tape, and translucent veils of colour. Drawing on imagery circulating through digital culture, he constructs luminous surfaces where photographic fragments, abstraction, and painterly materiality remain in constant tension.
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Education: HGB Leipzig — Painting (2007–2014) + Postgraduate studies (2014–2016). Erasmus semester at Bergen Academy of Art and Design (2012).
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Awards and Grants: LVZ Art Prize (2017); Stiftung Kunstfonds Bonn grant (2021); Cusanuswerk scholarship (2009–2016).
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Solo exhibitions (selection): 2025 — “OTO”, FeldbuschWiesnerRudolph, Berlin; 2022 — “Pale Blue Dot”, ASPN, Leipzig; 2020 — “Perlin Noise”, FeldbuschWiesnerRudolph, Berlin.
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Public/Private Collections: e.g. Museum der bildenden Künste Leipzig; Kunsthalle Bremen; Museum Wiesbaden; Kunstsammlungen Chemnitz; Fundatie Zwolle (NL).


